抽象系列－杜珮詩個展 The Abstraction Series - Pei-Shih Tu Solo Exhibition

時間：7/2(六)-8/21(日) 10:00-18:00（週一休館）

 

地點：台北數位藝術中心（臺北市福華路180號）

 

票價：免費

 

簡介：

在世界影像史中，我們較為熟悉的是實景電影的脈絡。取自真實場景，現實的再現，甚或寫實主義的概念，過去往往做為攝影史、電影史、錄像史發展上的決定性本質。然而早期十九世紀前電影時期影像多數透過手繪而製，此分支而後發展為動畫，卻少唯人所論述。杜珮詩對於動畫的本質問題相當感興趣，自2007年起，透過定格動畫與拼貼的創作方式，持續關心動畫在脈絡上新的可能性。在影像與敘事的關係中思考動畫的想像特質，並間接表達對社會與歷史的觀察。

《抽象系列》是杜珮詩自2015年起持續發展的創作脈絡，本展探討影像的邊界以及錄像與動畫的定義：是否能有錄像作品符合真人動畫的邏輯，視覺上是一部抽象動畫，而拍攝手法是定格的方式呢？屆時新作將在台北數位藝術中心一次具體而完整的呈現。

 

In the moving image history, people are more familiar with life action, which are made in real settings to represent reality. For a long time, realism dominated the development of photography, cinema and video. However, the moving images in the early 19th century were mostly hand-drawn. This type of art later developed as animation, an aspect of the history that has rarely been discussed. Tu, Pei-Shih is fascinated by the essence of animation. Since 2007, she has continuously explored the contextual potentiality of animation through the art of stop motion and collage, and reflected on the imaginative quality of animation and implicitly expresses her observation on society and history through exploring and fabricating the relationship between video and narrative. 

The solo exhibition, “The Abstraction Series”, at Digital Art Center (DAC), Taipei showcases video works Tu has developed since 2015. The exhibition explores the boundary of video and the definition of animation, and poses a question: could any video work fit the logic of pixilation, meaning it would be an animation that is visually abstract but made with stop motion?

 

期間特別演出：

7/9(六)14:00 野孩子肢體劇場／姚尚德SUNTECK YAO（我的生活沒有我Ma Vie Sans Moi）

8/6(六)15:00 D. C. L （自白Confession/Untitled）