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9.27 《美術館時光 Museum Hours》

9.27 《美術館時光 Museum Hours》

時間:2013/08/15 - 2013/09/27 《活動已結束》

地點:國賓影城@台北長春廣場、誠品電影院

單位:佳映娛樂

官網:http://www.facebook.com/Jointmovie.tw

售票:http://www.j-ent.com.tw/movie_museumhours.htm

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她和他 燃亮維也納
 
透過一部好電影,遊覽一座美術館
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一個人凝視時間,兩個人見證永恆

為了探視病危表妹,來自蒙特婁的首度到訪藝術之都維也納。旅費短缺的她,只能在城裡幽晃,將美術館當作避風港,於探病之餘終日流連。她在館內邂逅了警衛約翰,透過分享,兩人深入了彼此的生命肌理,共同細數人生風景。生活不是奢華的巴洛克、更非繁複的洛可可。約翰在一幅幅傑作前裎裸相見,大方擁抱彼此的美麗與哀愁,在時空的畫布上,烙下不滅的溫度。
 

 

Director:Jem Cohen
Writer:Jem Cohen
Starring:Mary Margaret O'Hara, Bobby Sommer, Ela Piplits
Country:Austria | USA
Language:German | English
Run time:107 min
Release Date:2013.9.27

Synopsis
Vienna, winter. Johann, a guard at the grand Kunsthistorisches Art Museum encounters Anne, a foreign visitor called to Austria because of a medical emergency. Never having been to Austria and with little money, she wanders the city in limbo, taking the museum as her refuge. Johann, initially wary, offers help, and they’re drawn into each other’s worlds. Their meetings spark an unexpected series of explorations – of their own lives and the life of the city, and of the way artworks can reflect and shape daily experience. The museum is seen in the film not as an archaic institution housing historical artifacts, but as an enigmatic crossroads in which, through the artworks, a discussion takes place across time with vital implications in the contemporary world. While the “conversations” embodied in the museum’s collection revolve around nothing less than the matters that most concern us all: death, sex, history, theology, materialism, and so on; it’s through the regular lives of the guard and displaced visitor that these heady subjects are brought entirely down to earth and made manifest.

Near the film’s end, Johann and Anne are out exploring on the fringe of the city when her ill friend’s condition suddenly reaches a crisis point.

For some, the film will primarily be an engaging study of two adults whose relationship defies cinematic stereotypes; for others it will be a story-engendered portrait of the city of Vienna; for others, it will mostly serve as a meditation on the crossings between life and art and the museum as intermediary… All of these interpretations are valid and encouraged.

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