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【每日藝聞】《德國藝術家Johanna Flammer個展 SET OUT 》控制和失控之間的一場遊戲

【每日藝聞】《德國藝術家Johanna Flammer個展 SET OUT 》控制和失控之間的一場遊戲

時間:2016/05/09

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【每日藝聞】《德國藝術家Johanna Flammer個展 SET OUT 》控制和失控之間的一場遊戲
 
YOURART編輯 林富妍‧新苑藝術新聞聯絡人 簡于庭
 
新苑藝術將於5月20日至6月10日展出德國藝術家Johanna Flammer個展。Johanna Flammer是德國當代藝術中受矚目的藝術家之一,畢業於杜塞爾多夫藝術學院 (Kunstakademie Düsseldorf),去年夏天於柏林Michael Schultz Gallery、近期於柯隆Gallery Osper結束兩檔個展,她是2012年德國BLOOOM Award得主,同年展出得獎作品於科隆ART.FAIR藝術博覽會,2013年更由ART.FAIR為其特別企劃展出個展NODI。
 
Galerie Grand Siècle will present a solo exhibition of Johanna Flammer titled Set Out during May 20 to June 10. Johanna Flammer is in the limelight of Germany contemporary art scene. Graduated from Kunstakademie Düsseldorf, just finished two solo exhibitions in Michael Schultz Gallery, Berlin in Summer and recently in Gallery Osper, Cologne, she is the recipient of BLOOOM Award 2012 whose awarded series were featured in ART.FAIR, cologne in the same year. In 2013, ART.FAIR cologne staged her solo exhibition NODI as an exclusive project.
 
「空無一物的畫布,是作品的起始」Flammer說道。她使用油彩、壓克力顏料、攝影與視覺拼貼藝術技法,混合點畫筆觸,將魔幻的圖像並置重疊,產生新的質地,呈現遠近交融且繁複的整體,建構出與超現實主義相異的創作領域。藝術家透過控制,有意識地使自己不去控制,藉由無既定思想式的呈現,尋找創作中衍生的形式與形體。
 
Johanna Flammer is not afraid of the horror vacui, the emptiness of the canvas at the beginning.  She features a new quality by the juxtaposition of phantasmagoric images losing the sense of distance. The multifarious whole beyond nature or surrealism is fortified by her multifaceted touch in acrylic, oil pigment, photography, collage and strokes. She has no pre-fixed image and no compositional pan in mind. Her objective is aimless, consciously losing control during creation.
 
這樣的精神性正如1977年,法國後結構主義學者德勒茲(Gilles Deleuze)與瓜達西(Félix Guattari)藉由植物學「塊莖」(Rhizome)所闡述的異質聯結性與多樣性,該理論系統內提到物質世界存在多元、非層級性、無須排列分類的游牧因子,Flammer的作品似乎也與此游動能量共舞。
The essences of the works of Flammer seem to resound with the nomadic energy comparable to the post-structural system linked with rhizome, proposed by Gilles Deleuze and Félix Guattari in 1977. This theory was based on non-classified associations independent from order. Such nomadic elements with multiple, non-hierarchical points of entry and exit can be enjoyed in the exhibited works of Set Out.
 

活動資訊
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新苑藝術 |  德國藝術家Johanna Flammer個展 SET OUT
時間:2016/05/20 - 2016/06/10
地點:新苑藝術(10559台北市八德路3段12巷51弄17號1樓)
http://www.yourart.asia/news/show/51183
 

延伸閱讀

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關於 BLOOOM Award 2013 
 
Warsteiner集團是德國釀酒產業的頂端品牌,享譽全球,旗下啤酒品牌 Warsteiner Premium Verum 外銷60國,長久以來,Warsteiner 不斷贊助藝術活動,更發起Warsteiner Art Collection 藝術家聯名款。Warsteiner與藝術的相遇起始於30年前,安迪渥荷為其設計第一個不朽經典款酒杯之時。
 
Johanna Flammer 獲獎的 2013 年,有來自 6 個洲、29 個國家的 800 位藝術家角逐該獎項。 她獨特的視覺語彙、多元技巧、媒材與色調,呈現清晰且暗示性的裝飾元素,使她成為近年最受矚目的得獎者,並在之後持續獲得邀展,發展系列作品。
 
Johanna Flammer自述-關於我的作品:
 
「作品進程的核心在於發展。下筆間會自動發展成畫面,我小心控制著這股自然。我和作品間存在相互拉扯的張力,於是控制和失控之間,形成了一場遊戲。電流是驅使我創作的基本要件,它像魔咒一般引領我繪至最後一筆。總是預期外的結果,我才慢慢認知到......有一種念頭,它可以成長至無限,去除所有阻礙,消融在我體內,讓我陷入無法言說的陶醉中。創作過程中,動作繪畫和拼貼的不同步驟,構築了一股巨大的張力。在形式的最終,各種技法間的連結產生了開啟新世界的單位。」從自我挪用的語言可以透過不同形式體現及傳送訊息,因此沒有媒材或空間的隔閡,它是開放的。
 
幾年來我創作的均為非傳統、非學院派的繪畫,所關注的主題為「髮絲」,並以多元媒材將這兩個殊異的主題結合。〈NODI〉是一系列對上述主題的延伸與實驗,都從多種顏色和形狀發想,創作之初,作品的結構和密度都未經計畫。之後我參考時尚雜誌裡的裝飾性立體髮型,複製並裁切成片段,創作的理由便直覺性地產生了,不考量畫面裡的實際作用而將其轉化後,產生了紮根於地的辮子,再進一步地形成根莖。這些從色塊中破土而生的葉子形體,凸顯出茂密枝葉分支上的節點。
 
"The main process of the work consists in the development. A controlled automatism leaves to the last line, the tension between me and the work exist and is a "game" between control and loss of control. This voltage is the basic requirement when working for me and pulls me to the last line in a kind of spell. The anticipation of the unexpected result that there is to slowly recognize .... The idea that can grow something to infinity, with no obstructions, dissolves in me an inexplicable fascination. The different steps of the gestural painting and collages up for subscription, offer a wide field of tension that builds up when working. This connection of the different techniques are at the end of the formation a unit that opens a new world. " The language I've appropriated me, can be run in many different forms and transmitted, so that there are neither media nor spatial barriers. It is open to any way.
 
For several years I am working with the informal painting and the subject "Hair", which I am also of various media around these two Operating the - quite different themes - together. This created its own language which can be run in many different media and transmitted, so that neither media nor spatial barriers exist. It is open to any way. After experimenting prolonged originated et al the series "NODI".
 
It arises at the beginning of the images of this group a basis of colors and shapes, their structure and density is initially still unplanned. Then I added the cut reproductions of dressed hair which I gather magazines for fashion, this image reasons intuitively created. Freed from its concrete function to transform the hair styles that merge together and with the image of reason to root-like braids to rhizomes. At the same time these excerpts sprout like leaves from the base of the color space, recalling node (Latin nodus, plural:. Nodi) from which grows leafy greens on branches.
 
新苑藝術
 
極具國際視野的新苑藝術於 1999 年成立。身為台灣最具代表性的新媒體藝術藝廊,以策劃展覽、參與國際博覽會的模式呈現新銳媒體藝術家精采的作品,累積多年國內外藝術平台參展與合作經驗,兼具質與量的策展豐富經驗,備受專業人士高度肯定。
 
除了每個月在畫廊內的展覽以外,並積極參與國際博覽會,拓展國際交流, 如馬德里 ARCO、北京 CIGE、巴塞隆納 Loop、香港 HK08、香港 HK09、 香港 HK10、香港 HK11、柯隆 ARTFAIR21、大阪 Art Osaka。
 
新苑藝術負責人張學孔先生為前任畫廊協會理事長、ART TAIPEI 2009- 2011 主席、YOUNG ART TAIPEI 台北當代藝術博覽會創辦人、PHOTO TAIPEI 台北影像與數位藝術博覽會創辦人。任職 ART TAIPEI 2009-2011 主席期間致力推廣博覽會國際化、主持台北藝術論壇,其主要研究國際當代藝術發展及藝術市場脈動,有助於國內藝術產業發展並有一大躍升。現任高雄藝術博覽會大會總監,於高雄藝術博覽會致力推廣當代藝術,於各大博覽會考察交流,有效助於台灣博覽會與國際接軌並提升博覽會國際水準。現為高雄藝術博覽會 2013-2015 主席、FAS 福爾摩沙國際藝術博覽會 2015 主席。
 
Galerie Grand Siècle was established in 1999 by Mr. Richard, Hsueh-Kung, CHANG. As one of the most important galleries focusing on Taiwanese contemporary art especially new media art, the galley often presents emerging new media artists by curating exhibitions and participating in international art fairs. The gallery has rich experience in organising and cooperating with national / international art platforms, and has established its reputation in professional field.
 
At the present time, except monthly exhibition, Galerie Grand Siècle also participates in international art fairs to expand artistic communication, such as ARCO (2009), Art Hong Kong (2008-2011), Art 14-15 London (2014-2015), Art Stage Singapore (2011-2014), Tokyo Frontline art fair (2010-2011), ART OSAKA (2009-2015), Loop Barcelona (2006-2007), Shanghai Contemporary Art Fair (2007), KIAF (2003-2006), Art Beijing(2004-2005), DiVA New York-Paris- Cologne -Miami(2005-2007), MiART (2006), PUSLE Miami(2005).
 
As the previous chairman of Taiwan Art Gallery Association, CHANG has been the organiser of ART TAIPEI FORUM, focusing on the observation in global art and market trend, he was also the founder / chairman of ART TAIPEI 2010-2012, promoting the local art fairs internationally. He is currently the director of ART KAOHSIUNG and Formosa Art Show art fair.
 

相關報導

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Johanna Flammer
http://www.johanna-flammer.de/
新苑藝術 Galerie Grand Siècle, Taipei
https://www.facebook.com/galeriegrandsiecle/
德國藝術家Johanna Flammer個展
https://www.artouch.com/artouch2/content.aspx?aid=2016042111722&catid=03
 

影音紀實

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BLOOOM Award by WARSTEINER 2012
https://vimeo.com/52796916
 
 

 

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